{"id":89,"date":"2017-10-04T20:03:46","date_gmt":"2017-10-04T20:03:46","guid":{"rendered":"https:\/\/www.macalester.edu\/160-french\/facultystaff\/elhadjidiop\/"},"modified":"2024-12-04T21:20:34","modified_gmt":"2024-12-04T21:20:34","slug":"elhadjidiop","status":"publish","type":"profile","link":"https:\/\/www.macalester.edu\/french\/facultystaff\/elhadjidiop\/","title":{"rendered":"Moustapha Diop"},"content":{"rendered":"<p>El Hadji Diop\u2019s research is focused on cross-media analysis, especially the film and literature nexus, the comparative semiotics of cultures, textual pragmatics, and Afrophone creative writing in translation.<\/p>\n<p>Diop has completed several translation projects in English, including the seminal biography of filmmaker Sembene Ousmane, Ousmane Sembene: The Making of a Militant-Artist, by Samba Gadjigo (Indiana University Press, 2010), and Doomi Golo: The Hidden Notebooks (Michigan State University Press, 2016), a tridimensional translation attentive to the multilingual texture and dialogic \u00e9lan of Boris Diop&#8217;s debut Wolof novel.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<h5><strong>PEER-REVIEWED PUBLICATIONS<\/strong><\/h5>\n<p><strong>\u00a0\u00a02023<\/strong><\/p>\n<ul>\n<li><strong>Book Chapter<\/strong>. \u201cRevisiting the \u2018Domestic Ethnography\u2019 Approach in Khady Sylla\u2019s <em>Une Fen\u00eatre ouverte<\/em>.\u201d In: Sada Niang, Suzanne Crosta and Alexie Tcheuyap (eds.), <em>Beyond Representation<\/em>. <em>Francophone Women Documentary Filmmaking. <\/em>Bloomington: Indiana University Press, p. 65-94.<\/li>\n<\/ul>\n<p><u>https:\/\/muse.jhu.edu\/book\/112145<\/u> <u>https:\/\/muse.jhu.edu\/pub\/3\/edited_volume\/chapter\/3464072<\/u><\/p>\n<ul>\n<li>Book Chapter. \u00ab Marginalisation des langues africaines et th\u00e9orie de la traduction postcoloniale \u00bb, in Robert Viau et C\u00e9cilia Francis, <em>Voix subalternes et cr\u00e9a(c)tives : explorer l\u2019inventivit\u00e9 de la marge francophone<\/em>, Montr\u00e9al, Presses de l\u2019Universit\u00e9 de Montr\u00e9al (in press).<\/li>\n<\/ul>\n<p><strong>2022\u00a0<\/strong><\/p>\n<ul>\n<li><strong>Book <\/strong><em>Reel Resistance: The Cinema of Jean-Marie Teno<\/em>, by Melissa Thackway and Jean-Marie Teno. New York, James Currey, 2020, xxvi, 237p.<\/li>\n<\/ul>\n<p><u>Reel Resistance \u2013 The Cinema of Jean-Marie Teno<\/u> <u>https:\/\/<\/u><a href=\"http:\/\/www.tandfonline.com\/doi\/full\/10.1080\/00083968.2022.2109869\">www.tandfonline.com\/doi\/full\/10.1080\/00083968.2022.2109869<\/a><\/p>\n<ul>\n<li><strong>Film <\/strong><em>Fanon Yesterday, Today by Hassane Mezine<\/em><\/li>\n<\/ul>\n<p><u>https:\/\/africanfilmny.org\/articles\/fanon-yesterday-today-review\/<\/u><\/p>\n<p><strong>2021\u00a0<\/strong><\/p>\n<ul>\n<li><strong>Film <\/strong><em>Nafi\u2019s Father (Feature 2019)<\/em>. <em>African Studies Review <\/em>64.3 <u>https:\/\/<\/u><a href=\"http:\/\/www.doi.org\/10.1017\/asr.2021.61\">www.doi.org\/10.1017\/asr.2021.61.<\/a><\/li>\n<\/ul>\n<p><strong>Essay<\/strong>. <strong>\u201c<\/strong>From Environmental Degradation to the Waste Economy of Postcolonial Desire. Eco-Critical Footprints in <em>Touki Bouki <\/em>and <em>Hyenas<\/em>.\u201d <em>International Journal of Francophone Studies <\/em>23.3 (Fall 2021): 173-86. <u>https:\/\/<\/u><a href=\"http:\/\/www.ingentaconnect.com\/content\/intellect\/ijfs\/2020\/00000023\/f0020003%3Bjsessionid%3D3q54rppp9nc2\">www.ingentaconnect.com\/content\/intellect\/ijfs\/2020\/00000023\/f0020003;jsessionid=3q54rppp9nc2<\/a><\/p>\n<p><u>1.x-ic-live-<\/u><u>02<\/u><\/p>\n<p><strong>2020\u00a0<\/strong><\/p>\n<ul>\n<li><strong> \u201c<\/strong>Postcolonial Amnesia. The \u2018Vanishing Present\u2019 of the Past in <em>Le Cercle des noy\u00e9s<\/em>.\u201d <em>FRAMEWORK <\/em>61.2 (Fall Issue): 46-69.<\/li>\n<\/ul>\n<p><strong>2019<\/strong><\/p>\n<ul>\n<li><strong>Essay<\/strong>. \u00ab Qui est donc l\u2019homme de Barb\u00e8s? Le probl\u00e8me du \u2018n\u00e8gre\u2019 de l\u2019\u00e9criture migrante dans <em>Le Ventre de l\u2019Atlantique<\/em>, de Fatou <em>Pr\u00e9sence Francophone <\/em>92\/1, pp. 98-120. <u>https:\/\/macalester.on.worldcat.org\/oclc\/8187870276<\/u><\/li>\n<\/ul>\n<ul>\n<li><strong>Book Review<\/strong>. \u201cTranslating Frantz Fanon Across Continents and Languages,\u201d by Batchelor, Kathryn and Sue-Ann Harding (eds.). London, UK: Routledge, 258 pages. ISBN: 978- 1-138-65873-8: Hardback. 155.00 USD.<\/li>\n<\/ul>\n<p><u>https:\/\/doi.org\/10.1080\/21674736.2019.1582851<\/u>.<\/p>\n<p><strong>2018<\/strong><\/p>\n<ul>\n<li><strong>Essay<\/strong>. \u00ab <em>Une Fen\u00eatre ouverte<\/em>, de Khady Sylla : \u2018\u00e9thique de la rencontre\u2019 ou r\u00e9cit d\u2019une \u2018troublante proximit\u00e9\u2019 ? \u00bb. <em>Nouvelles \u00c9tudes Francophones <\/em>1, pp. 60-78. (<u>https:\/\/macalester.on.worldcat.org\/oclc\/7844582892<\/u>)<\/li>\n<\/ul>\n<h5><strong>PUBLISHED TRANSLATIONS<\/strong><\/h5>\n<p><strong>2022<\/strong><\/p>\n<ul>\n<li>Boubacar Boris Diop, \u201cAn Ordinary Monday Morning,\u201d <em>Words Without Borders<\/em>, June 27<\/li>\n<\/ul>\n<p><u>https:\/\/wordswithoutborders.org\/read\/article\/2022-06\/an-ordinary-monday-morning-<\/u> <u>boubacar-boris-diop-el-hadji-moustapha-diop-bojana-coulibaly\/<\/u><\/p>\n<p><strong>2020<\/strong><\/p>\n<ul>\n<li>Ousmane Semb\u00e8ne. \u201cThe Artist and the Revolution: Interview with Tahar \u201d<\/li>\n<\/ul>\n<p><em>FRAMEWORK <\/em>61.2 (Fall Issue): 12-22.<\/p>\n<ul>\n<li>Ousmane Semb\u00e8ne, \u201cFreedom.\u201d <em>FRAMEWORK <\/em>2 (Fall Issue): 34-9<\/li>\n<li>Ousmane Semb\u00e8ne, \u201cStatement at \u201d <em>Black Camera; The New Series <\/em>12.1 (2020): 141-156\n<ul>\n<li><u>2979\/blackcamera.12.1.12<\/u><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><strong>2019<\/strong><\/p>\n<ul>\n<li>Fanon, Frantz: \u201eIm Kampf gegen den Kolonialismus stehen alle afrikanischen Staaten zusammen\u201c, in: Elisabeth B\u00fcttner \/ Viktoria Metschl (Ed.): <em>Figurationen von Solidarit\u00e4t<\/em>. <em>Algerien, das Kino und die Rhythmen des anti-kolonialen Internationalismus<\/em>, Berlin, Vorwerk8 2019, pp. 72-74.<\/li>\n<li>Fanon, Frantz: \u201eDer Weg zum Weltfrieden f\u00fchrt \u00fcber die nationale Unabh\u00e4ngigkeit\u201c, in: Elisabeth B\u00fcttner \/ Viktoria Metschl (Ed.): <em>Figurationen von Solidarit\u00e4t. Algerien, das Kino und die Rhythmen des anti-kolonialen Internationalismus<\/em>, Berlin, Vorwerk8 2019, 111-113.<\/li>\n<\/ul>\n<p><strong>2018<\/strong><\/p>\n<ul>\n<li>\u201cGood Night, Prince Koroma,\u201d by Boubacar Boris In: Ivor Agyeman-Duah (ed.), <em>The Gods Who Send Us Gifts: An Anthology of African Short-Stories<\/em>, pp. 77-95.<\/li>\n<li>\u201cA Labour of Love and Hate,\u201d by Richard Ali A In: Ivor Agyeman-Duah (ed.), <em>The Gods Who Send Us Gifts: An Anthology of African Short-Stories<\/em>, pp. 196-200.<\/li>\n<\/ul>\n<p><strong>2016<\/strong><\/p>\n<ul>\n<li><em>Doomi Golo \u2013 The Hidden Notebooks <\/em>(co-translated with Vera W\u00fclfing-Leckie), Michigan State University Press, \u201cAfrican Humanities and the Arts\u201d series.<\/li>\n<\/ul>\n<p><strong>2011<\/strong><\/p>\n<ul>\n<li>English version of the <em>Sahel Opera <\/em>Production Catalogue, for the Prince Claus Foundation (Holland)<\/li>\n<\/ul>\n<p><strong>2010<\/strong><\/p>\n<ul>\n<li><em>Ousmane Semb\u00e8ne<\/em>: <em>The Making of a Militant Artist<\/em>. Author: Samba Indiana University Press.<\/li>\n<li>\u201cBlack and Blues,\u201d \u201cA Hunting Party,\u201d \u201cA Trail of Shadows\u201d and other short stories by Boubacar Boris Diop. <a href=\"https:\/\/www.triquarterly.org\/the-latest-word\/interviews\/boubacar-boris-diop-interview?rq=Boris%20Diop\">http:\/\/www.triquarterly.org\/issues\/issue-141\/trail-shadows<\/a><\/li>\n<\/ul>","protected":false},"author":1,"featured_media":36,"template":"","class_list":["post-89","profile","type-profile","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.macalester.edu\/french\/wp-json\/wp\/v2\/profile\/89","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.macalester.edu\/french\/wp-json\/wp\/v2\/profile"}],"about":[{"href":"https:\/\/www.macalester.edu\/french\/wp-json\/wp\/v2\/types\/profile"}],"author":[{"embeddable":true,"href":"https:\/\/www.macalester.edu\/french\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":9,"href":"https:\/\/www.macalester.edu\/french\/wp-json\/wp\/v2\/profile\/89\/revisions"}],"predecessor-version":[{"id":1377,"href":"https:\/\/www.macalester.edu\/french\/wp-json\/wp\/v2\/profile\/89\/revisions\/1377"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.macalester.edu\/french\/wp-json\/wp\/v2\/media\/36"}],"wp:attachment":[{"href":"https:\/\/www.macalester.edu\/french\/wp-json\/wp\/v2\/media?parent=89"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}